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June 1, 2018 | Bobby Carter -- I learned a few things while watching Tom Misch perform at the Tiny Desk that should've been obvious to a longtime fan like me: He produces beats with a live audience in mind. As much as his drums slap, guitar is the foundation for most of his songs and he showcases a burgeoning talent on the instrument throughout his set.

I first caught wind of this UK wunderkind in 2014. Crafting his own instrumental projects and remixing tracks by artists ranging from Busta Rhymes to Lianne La Havas, Misch steadily garnered a dedicated following on SoundCloud. From there, he collaborated with other London artists and released EPs of original music on the platform. Misch's style doesn't revel in what's going on in pop music today; like a handful of other artists from the UK, his interpretation of hip-hop and R&B is a continuation of what the greats who came before him started. A healthy dose of that inspiration is drawn from the late J. Dilla, while Misch's up-tempo dance numbers align him with the Kaytranadas of the world. In 2016, Misch — still just 21 years old at the time — decided to dabble more in songwriting and explore that soothing timbre of his voice on Reverie, and all of a sudden, his potential rose exponentially.

Misch and the band arrived bright and early to get situated behind the Tiny Desk and rehearse. Misch has said before that he isn't a jazz purist intrinsically, but the way he opens up a guitar solo or jams with saxophonist Braxton Cook, jazz music certainly runs through him.

If you haven't heard of Tom Misch before this performance, now's a good time to catch up. Check out his breakthrough album, Geography, as well as his earlier collaborations, then come back and watch his Tiny Desk again for a true appreciation of his growth as an artist.

SET LIST
"It Runs Through Me"
"I Wish"
"Movie"

MUSICIANS
Tom Misch (guitar/vocals), Tobias Tripp (guitar/violin/vocals), James Creswick (bass), Jamie Houghton (drums), Joseph Price (keys), Braxton Cook (saxophone)

CREDITS
Producers: Sidney Madden, Morgan Noelle Smith; Creative Director: Bob Boilen; Audio Engineer: Josh Rogosin; Videographers: Morgan Noelle Smith, CJ Riculan, Beck Harlan; Production Assistant: Stefanie Fernández; Photo: Claire Harbage/NPR.

Watch Jorja Smith play "On My Mind", "Teenage Fantasy" and "Blue Lights" at the Tiny Desk.

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June 11, 2018 | Sidney Madden -- It's a good thing the weather was gloomy the day Jorja Smith rolled in for her Tiny Desk concert. Even though the skies threatened rain and thunder, the overcast light lingering in our dimmed office space allowed the teardrop pendant lights, hung from the ceiling by her lighting team, to cast the desk in a warm, honey-hued glow. And while the nimble guitar strings and double-time drums of her supporting band was enough to dizzy the focus in the room, it was the U.K. singer's slow, silky cadence that anchored the performance in tranquility.

As Smith worked her way up the scales to each high note in "On My Mind" (a track usually sung over a reverberated garage beat) and "Teenage Fantasy" (a ballad to love lost written when she was 16), there wasn't an ounce of pressure evident in her face or body language. When she closed her eyes to deliver the rap verse of "Blue Lights," the anti-injustice song that first positioned her as a SoundCloud darling in 2016, a hush fell over the room in awe of her precision.

Though Smith's boldface collaborations to date range from Drake to Kali Uchis, her debut album Lost & Found is free of featured acts. Much like this Tiny Desk performance, those 12 tracks show off Smith's talent in a minimalist way — musing about life and love with the ambiguity and sense of agency that only comes with newfound freedom.

After she finished, but before retreating to the comfort of Supreme sweats, Smith and her band bestowed the Tiny Desk with a blue lava lamp signed by every member. Keep an eye out for that Easter egg in future episodes.

Set List

"On My Mind"
"Teenage Fantasy"
"Blue Lights"

MUSICIANS
Jorja Smith, Femi Koleoso, Benjamin Totten, Mutale Chashi, Amane Suganami

CREDITS
Producers: Sidney Madden, Morgan Noelle Smith; Creative Director: Bob Boilen; Audio Engineer: Josh Rogosin; Videographers: Morgan Noelle Smith, Beck Harlan, Bronson Arcuri; Lighting: Tyler C. Trofatter; Production Assistant: Bobby Carter; Photo: Eslah Attar/NPR.

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This performance was recorded on Nov. 8, 2019. We will continue releasing Tiny Desk videos of shows that had already been taped. In light of current events, NPR is postponing new live tapings of Tiny Desk Concerts. In the meantime, check out Tiny Desk (home) concerts! They’re recorded by the artists in their home. It’s the same spirit — stripped-down sets, an intimate setting — just a different space.

May 4, 2020 | Bob Boilen -- Jon Batiste came to the Tiny Desk with some surprises back in November of 2019. Midway through his set, he stopped to say, "it's the first time we're ever playing these songs, and it's the first time we're playing together." The New Orleans musician came to the Tiny Desk not with his late-night house band, but with an all-new cast. His all-female collaborators — Endea Owens on acoustic bass, Negah Santos on percussion, Sarah Thawer on drums, and Celisse Henderson on guitar and vocals — were an inspiration.

As is often the case when musicians perform in Washington (and especially blocks from the Capitol) the banter hinted at the political. Jon Batiste stopped to tell the NPR crowd, "we're playing some music, and we're coping. The times are in an interesting place, but music is always that universal language that can bring people in a room together." Little did Jon know how those words would feel six months later.

Jon Batiste took us through some of the many sides of his rich musical history, from the soulful ballad titled "Cry," to the jazz and hip-hop inspired, "Coltrane" and a rocking Motown-inspired tune, "Tell The Truth," before ending with a bit of church with, "I Need You." In just over 15 minutes, Jon Batiste bounced from playing the Wurlitzer to the electric guitar to the piano and then a melodica, all the while singing and sharing his talents and bringing us joy in interesting times.

SET LIST
"Cry"
"Coltrane"
"Tell The Truth"
"I Need You"

MUSICIANS
Jon Batiste: vocals, piano, Wurlitzer, guitar; Endea Owens - acoustic bass; Negah Santos: percussion; Sarah Thawer: drums; Celisse Henderson: guitar, vocals

CREDITS
Producers: Bob Boilen, Morgan Noelle Smith, Kara Frame; Creative director: Bob Boilen; Audio engineers: Josh Rogosin, J. Czys; Videographers: Kara Frame, Morgan Noelle Smith, Maia Stern, Jack Corbett; Editor: Maia Stern; Associate Producer: Bobby Carter; Executive producer: Lauren Onkey; VP, programming: Anya Grundmann; Photo: Mhari Shaw/NPR



Editor's note: On Jan. 6, 2020, this feature was briefly published prematurely. Its official publish date is May 4, 2020.

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The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

In celebration of National Hispanic Heritage Month, NPR Music presents four very special Tiny Desk Home Concerts recorded especially for this week. This video from global superstar Ozuna is a world premiere.

Oct. 16, 2020 | Stefanie Fernández -- From a verdant room tucked away in Miami, Ozuna's Tiny Desk performance might allow you, as it did me, to forget for a moment that he's one of the most watched and listened-to artists on earth. For someone whose work often operates at galactic proportions, this performance of five songs makes room for Ozuna's sweet tenor to take center-desk in a love letter to the global communities that supported and streamed him to god tier status.

The Puerto Rican singer kicks it off with a breezy rendition of "Caramelo" that leads into a solo version of the sun-drenched "Del Mar" from ENOC, his fourth album that he's deemed a return to his roots. This pared-down performance makes good on that promise, reworking star-studded collaborations, like the ballad "Despeinada," as they should be sung: languorously and with intimacy. Even the pop smash "Taki Taki" sounds brand new, buoyed by his alchemical flow and energy.

Ozuna is a crown jewel in the global crest of Latin pop, a movement whose modern success in reggaeton and Latin trap is indebted to the Caribbean genres Ozuna heard growing up in Puerto Rico, sounds like old-school reggaeton and reggae en español, dembow, dancehall and more. From then to now, Ozuna's bare talent remains his greatest asset. It's rare to see a star of his magnitude brush the earth so closely, and when it does, it's even rarer for it to feel and sound like second nature.

SET LIST
"Caramelo"
"Del Mar"
"Despeinada"
"Taki Taki"
"Mamacita"

MUSICIANS
Ozuna: vocals
Freddie "YoFred" Lugo: bass
Elí Bonilla: drums
Carlos Mercader: guitar
Benson Pagán: guitar
Edgardo Santiago: keys
Hector Meléndez: piano
Erick "Yonell" Pachecho: DJ
José Aponte: vocals

CREDITS
Video By: Miguel Gonzalez "UnEnano"
Director: Nuno Gomes
Audio By: Jose Rivera, Raymond Perez
Producer: Bobby Carter
Associate Producer: Stefanie Fernández
Audio Mastering Engineer: Josh Rogosin
Video Producer: Morgan Noelle Smith
Executive Producer: Lauren Onkey
Senior VP, Programming: Anya Grundmann

Bob Boilen | February 28, 2017 — They're simply an abundance of euphoria. The Dirty Dozen Brass Band blasted the Tiny Desk with a Sousaphone, trumpets, saxophones, guitar and drums, at stunning volume, for a joyful celebration.

This band has been mixing be-bop and funk for 40 years. Around this time of year, when Mardi Gras revelry is fueled by New Orleans jazz, it was so good to feel their sounds in the office. Since today is Fat Tuesday — just before Lent and its fasts begin for some — we are sharing the party we hosted, filled with brass and sass from this fixture of great American music. Enjoy.

Funeral For A Friend is available now:
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Set List
"Use Your Brain"
"Best Of All"
"Tomorrow"
"My Feet Can't Fail Me Now"

Musicians
Roger Lewis (baritone sax); Gregory Davis (trumpet, vocals); Kevin Harris (tenor sax, vocals); Efrem Towns (trumpet, vocals); Kirk Joseph (sousaphone); Julian Addison (drums); Takeshi Shimmura (guitar)

Credits
Producers: Bob Boilen, Niki Walker; Audio Engineer: Josh Rogosin; Videographers: Niki Walker, Morgan Noelle Smith, Bronson Arcuri; Production Assistant: Maia Stern; Photo: Claire Harbage/NPR.

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Nikki Birch | January 13, 2025
The first law of soca music, according to Machel Montano, is: "it's dancing time all the time." And in his Tiny Desk Concert, the "King of Soca" provides irrefutable evidence to support that statement.

Montano's performance is the first to bring soca, the high energy dance music of the Caribbean, to the Tiny Desk. The genre was born in Trinidad and Tobago in the early 1970s when calypso artist Lord Shorty (who later chose the name Ras Shorty I) added traditional Indian percussion instruments and rhythms to calypso music — itself a fusion that incorporates elements of African, Venezuelan, French and American music.

A proud Trinidadian, Montano's contribution to soca has earned him awards and recognition since his youth. His career began in earnest when he was 7 years old, and by the time he was 10, he'd shared the stage with Calypsonian pioneers and icons, most notably performing at Madison Square Garden with Mighty Sparrow, Lord Kitchener and The Mighty Shadow.

Indeed, Montano's Tiny Desk Concert was representative of his 40-plus-year career and, to the delight of those in attendance, included some of his biggest hits: "One More Time," "Famalay," "Like Ah Boss" and "Soca Kingdom."

Guests who attended Montano's performance came ready to fête! They jumped, they wined and they waved the flags of their respective Caribbean islands up high, singing along word for word. Being a Barbados-born, Saint Lucian-bred gyal, seeing and feeling the spirit of unity inherent to the cultural sound ingrained in my DNA — and foundational to my upbringing — represented at Tiny Desk made me beam with pride. If this is your first exposure to soca music, I suggest you stretch and loosen up your waistline before pushing play on this one, because there is no sitting still when soca fills the room.

SET LIST
"One More Time"
"Dance With You"
"Fast Wine"
"Like Ah Boss"
"Famalay"
"Soca Kingdom"

MUSICIANS
Machel Montano: vocals
Dwain Antrobus: keys
Duane Williams: effects
Bayete Williams: keys
Damien Neblett: bass
Melvin Alick: drums
Kyle Peters: guitar
Modupe Onilu: percussion
Rhys Thompson: percussion
Etienne Charles: trumpet, flügelhorn
Lamar Robinson: background vocals
Michael Chandler: background vocals

TINY DESK TEAM
Producer: Nikki Birch
Director/Editor: Joshua Bryant
Audio Technical Director: Josh Newell
Host/Series Producer: Bobby Carter
Videographers: Joshua Bryant, Maia Stern, Alanté Serene, Mitra I. Arthur
Audio Engineer: Tiffany Vera Castro
Photographer: Sofia Seidel
Tiny Desk Team: Hazel Cills, Ashley Pointer, Kara Frame
Executive Producer: Suraya Mohamed
Series Creators: Bob Boilen, Stephen Thompson
VP, Visuals and Music: Keith Jenkins

#nprmusic #tinydesk #machelmontano

This Black Music Month, Tiny Desk honors the anniversaries of landmark albums that have shaped the course of music and culture.

Bobby Carter | June 2, 2025
Bay Area ambassador E-40 moves with the energy of an up-and-coming emcee, but he's been around a minute. To put it 40 Water's way: "I've been doing this since Kermit the Frog was a pollywog!" Our biggest hurdle to clear was packing in three decades of music at the Tiny Desk, but 40 Fonzarelli and his band clocked weeks of rehearsal to make sure this office was rockin'.

E-40's sophomore solo album In a Major Way dropped in 1995, one of the most competitive years in hip-hop history, with certified classics dropping weekly by the likes of 2Pac, Mobb Deep, Goodie Mob, Bone Thugs-n-Harmony, Ol' Dirty Bastard, Raekwon and GZA. Straightforward and plain has never been E-40's nature, and that left-of-center spit has been the thing that has sustained his illustrious entertainment career.

At the Desk, Charlie Hustle sets things off with "Da Bumble" from In a Major Way and continues to bounce through a catalog of big hits sprinkled with nods to his day ones. Producer Lil Jon brought him back to the mainstream in the early 2000s with "Tell Me When to Go," "U and Dat" and "Snap Yo Fingers," while TikTok injected new life in "Choices (Yup)" and introduced him to Gen Z. "I'm on my fourth wind!" 40 tells us. No lies told.

SET LIST
"Da Bumble"
"Yay Area"
"Sprinkle Me"
"Captain Save a Hoe"
"Snap Yo Fingers"
"U and Dat"
"Choices (Yup)"
"Hope I Don't Go Back"
"1-Luv"
"Function"
"Tell Me When to Go"

MUSICIANS
E-40: vocals
Kev Choice: music director, keys
Bosko Kante: music director, background vocals
Martin Luther: guitar, background vocals
Howard Wiley: saxophone, EWI
Marcus Phillips: bass, keys
Dame Drummer: drums, background vocals
Silk-E The People's Champ aka Sherri Stack-A-Grip: background vocals
DJ KMP: DJ, background vocals

TINY DESK TEAM
Producer: Bobby Carter
Director/Editor: Joshua Bryant
Audio Technical Director: Josh Newell
Videographers: Joshua Bryant, Maia Stern, Kara Frame, Mitra I. Arthur
Audio Engineer: Andie Huether
Production Assistants: Dora Levite, Ashley Pointer
Photographer: Zayrha Rodriguez
Tiny Desk Series Editor: Lars Gotrich
Executive Producer: Suraya Mohamed
Series Creators: Bob Boilen, Stephen Thompson
VP, Visuals and Music: Keith Jenkins

#nprmusic #tinydesk #e40typebeat

LORENA CALABRIA || No pequeno espaço do Tiny Desk Brasil, Gilberto Gil parece em casa. E, de certa forma, está. Sentado ao lado dos netos Bento e Flor, a cena reproduz algo que poderia acontecer em uma tarde de domingo qualquer, na sala de estar da família. Não há esforço algum para transformar o ambiente em espetáculo; o encanto está justamente no contrário. “É muito frequente a gente fazer isso em casa. Mas no quarto, na cama, no sofá da sala”, comenta Gil, rindo da própria naturalidade da situação.

Bento Gil confirma a sensação de continuidade. “É mesmo uma extensão do que a gente gosta de fazer dia a dia, juntos. O Tiny Desk é sobre experimentar novos formatos como artista. Ele está com uma turnê grande em cartaz, com muitas pessoas na banda e um repertório enorme. Uma linguagem completamente diferente do que vai acontecer aqui no programa, com dois violões apenas.”

Flor Gil, que participa atualmente da turnê Tempo Rei, a última grande excursão de Gil pelos palcos, aqui divide os vocais com o primo e o avô. “Algumas das minhas canções, por exemplo, a Flor já se debruça sobre elas em muitos dos nosso shows. E tem o que ela mesma está fazendo”, observa o avô. Para Flor, o Tiny Desk também carrega um sentido especial. “É uma oportunidade de gravar músicas do meu avô que não existem nesse formato acústico, só com voz e violão. Eu e o Bento cantamos, tocamos e fazemos shows juntos. Meu avô e o Bento são do violão, eles tocam muito juntos. Então, é tudo muito natural.”

Gilberto Gil construiu ao longo do tempo uma ligação profunda com o violão. Antes dele, o primeiro instrumento foi o acordeon, ainda na infância, mas o impacto de ouvir João Gilberto redefiniu seu horizonte musical. Com o tempo, o violão passou a estruturar sua própria linguagem, moldando harmonias, silêncios e respirações. Ele atravessa discos decisivos, reaparece nos formatos enxutos de voz e violão e sustenta encontros memoráveis, como o espetáculo com Caetano Veloso, Dois Amigos, Um Século de Música.

A escolha do repertório nasceu justamente do convívio familiar. “É parecido com o que a gente vinha tocando na sala. Vai passando os meses e tem uma música que fica mais presente. Tem um disco dele, Gilbertos Samba, que eu gosto muito. Foi com esse disco que me apaixonei pelo violão”, conta Bento. “Desde que o Samba é Samba”, parceria de Gil com Caetano Veloso lançada em 1993 no álbum Tropicália 2, abre o set. “Tempo Rei”, gravada em 1984, ecoa o nome da turnê. “Se Eu Quiser Falar com Deus”, lançada em 1980, traz Gil solo ao violão, com o recolhimento que a canção pede. “Choro Rosa”, registrada por Flor em seu primeiro disco, Cinema Love, de 2025, também integra o repertório. Para encerrar, “Esotérico”, faixa do álbum Refazenda, de 1976.

Entre acordes compartilhados e olhares cúmplices, um dos maiores nomes da música brasileira condensa décadas de trajetória em uma cena ao mesmo tempo íntima e simbólica: o encontro de um avô com seus netos, em que a herança se converte em presença viva, todos unidos pela deusa Música.

***

Baseado no “Tiny Desk Concerts” criado por NPR
Produzido por Anonymous Content Brazil

@anoncontent
@tinydeskbra

***

setlist

Desde que o samba é samba
Tempo rei
Se eu quiser falar com Deus
Choro rosa
Esotérico

***

músicos

Gilberto Gil - voz e violão
Flor Gil - voz
Bento Gil - voz e violão

Suraya Mohamed | November 10, 2022
The day before The Ezra Collective’s Tiny Desk concert, the band members practiced for hours at a nearby community music space and the next morning, they walked in the door giddy and ready to go. The warm-up was good, but once we started to record, a crazy intensity and energy spilled out into the room. They were fierce and fun and all of their solos were on fire.

The band makes amazing jazz music and mixes it with a fusion of other genres like Afrobeat, hip-hop and grime. The London-based band was supposed to play this Tiny Desk concert in 2020, but then, as bandleader and phenom drummer Femi Koleoso put it, “the world collapsed.” Here it is now, rockin’ hard with the highest level of musicianship and technique.

Before coming to NPR, Koleoso had just finished a world tour with the group Gorillaz. He met up with his bandmates in Washington, D.C., to play this concert and kick off promotion for the band’s newly released sophomore album, Where I’m Meant To Be. He explained on Instagram that he loves the album title because it's vague and specific at the same time, just like his band, a multifaceted complement of contrasting attributes. The first two songs in this set are from that new album while the last, “Chapter 7,” is from the group’s 2016 EP. Throughout the set, watch how keyboard player Joe Armon-Jones barely stays on his seat and hear how the audience couldn’t keep quiet. After the concert, the spirit of the music lingered for a long time and the day ended with pictures, hugs and plenty of smiles.

SET LIST
“Victory Dance”
“Welcome To My World”
“Chapter 7”

MUSICIANS
Femi Koleoso: drums
TJ Koleoso: bass
Joe Armon-Jones: keys
James Mollison: saxophone
Ife Ogunjobi: trumpet

TINY DESK TEAM
Producer: Suraya Mohamed
Director/Editor: Joshua Bryant
Audio Engineer: Josh Rogosin
Creative Director: Bob Boilen
Series Producer: Bobby Carter
Videographers: Joshua Bryant, Kara Frame, Maia Stern, Sofia Seidel
Audio Assistant: Andie Huether
Production Assistant: Jill Britton
Tiny Desk Team: Marissa Lorusso, Hazel Cills, Ashley Pointer, Teresa Xie
VP, Visuals and Music: Keith Jenkins
Senior VP, Programming: Anya Grundmann

#nprmusic #tinydesk #ezracollective

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This Black Music Month, Tiny Desk is giving the ladies their flowers. We’re releasing nine Tiny Desk concerts from Black women artists, from veterans who’ve paved the way for what we hear today in Black music, to those who are carving out their own paths.

Mitra I. Arthur | June 14, 2024
After a moment of praise in her set, Kierra Sheard said jokingly, “I don’t wanna make this Tiny Desk Sunday morning service.” That ability to unapologetically speak on faith in any location, even the Tiny Desk, is a hallmark of Gospel music and a strength of Sheard’s. Since her solo debut at 17, Sheard has released music that keeps God’s word at the forefront, while being packaged to reach audiences who might not be in the church pew on Sunday mornings. That music has garnered her several Dove and Stellar awards, as well as multiple Grammy nominations. She and her brother, producer and drummer J. Drew Sheard II, learned music ministry under the tutelage of their mother, Karen Clark-Sheard, and aunts, who make up the legendary gospel group The Clark Sisters.

In our meeting prior to filming her Tiny Desk, Sheard asked “Can I get at least one run?” To which our team replied “Absolutely — more than one!” Those soul stirring runs are present in this uplifting medley of new cuts from her latest album, All Yours, and tracks from her 20 year catalog. “You Ain’t Seen Nothing Yet” aptly introduces Sheard’s presence at the Tiny Desk. I found myself continually singing “All Yours” and “Hang On” for days after the performance. Her testimony in “It Keeps Happening” and “Something Has To Break” moved many in our office as Sheard declared, “What I can’t do, God can do!” And in classic church “turn to your neighbor” fashion, she implored the audience to “Turn to somebody and say I’m supposed to be here!” There is no doubt Sheard is supposed to be at the Tiny Desk.

SET LIST
“You Ain’t Seen Nothing Yet”
“You Don’t Know”
“Yes”
“Love Like Crazy”
“Praise Offering”
“It Keeps Happening”
“Indescribable”
“Something Has To Break”
“All Yours”
“Hang On”
“Miracles”

MUSICIANS
Kierra Sheard: lead vocals
Justin Brooks: keys, musical direction
J. Drew Sheard ll: drums, musical direction
Aaron Draper: percussion
Tony Stanford: guitar
Alan “Snoop” Evans: bass
De’Sean Jones: saxophone
Frank Walton: trumpet
Zacharia El-magharbel: trombone
Marcus Johnson: vocals
Kevin Stewart: vocals
Johnyce Jackson: vocals
Jemika Ferguson: vocals

TINY DESK TEAM
Producers: Mitra I. Arthur, Bobby Carter
Director/Editor: Maia Stern
Audio Technical Director: Josephine Nyounai
Videographers: Maia Stern, Kara Frame, Joshua Bryant, Sofia Seidel
Audio Engineer: Josh Newell
Production Assistant: Alanté Serene
Photographer: Michael Zamora
Animation: Jackie Lay
Florist: Kelanda Edwards
Tiny Desk Team: Hazel Cills, Ashley Pointer
Executive Producer: Suraya Mohamed
Series Creators: Bob Boilen, Stephen Thompson
VP, Visuals and Music: Keith Jenkins

#nprmusic #tinydesk #kierrasheard

Dec. 5, 2018 | Abby O'Neill -- The Wu-Tang Clan gathered at the Tiny Desk to commemorate the 25 years since the release of the group's landmark album Enter The Wu-Tang (36 Chambers). With more than 60 albums between the various members, The Clan's combined discography left them spoiled for choice when it came to narrowing down the set list for their performance. The result was an extended, 20-minute medley of songs from across the group's iconic catalog.

The retrospective mashup of Wu classics started with the posse cut "Triumph." Backed by strings (The Green Project), the performance morphed into an old-school cipher as Raekwon, Inspectah Deck and Cappadonna traded verses with Masta Killa and U-God. Young Dirty Bastard, son of original member Ol' Dirty Bastard, provided a spark of energy reminiscent of his father.

At one moment in the performance, RZA — the mastermind behind the Clan's success — omits some explicit lyrics from earlier in his Wu journey, while alluding to the #MeToo movement mid-cadence. But it's the poetic interlude, read from his phone at the close of the set, that better reflects his current state of consciousness. "Wu-Tang is for the kids!" RZA proclaims. The core of the group began as childhood pals in Staten Island in the early '90s, when the crew's creative philosophy was influenced by everything from Saturday afternoon kung-fu flicks to the spiritual wisdom of the Five-Percent Nation. As they've matured, Raekwon still describes the Wu as "superfriends." They've allowed each other to grow and form various offshoots in recent years. But when the Wu-Tang Clan comes together, they still bring a love for the culture and for their brotherhood.

Set List
"Wu Classics"

Credits
Producers: Abby O'Neill, Morgan Noelle Smith; Creative Director: Bob Boilen; Audio Engineer: Josh Rogosin; Videographers: Morgan Noelle Smith, Kaylee Domzalski, Maia Stern, Bronson Arcuri, CJ Riculan; Editor: Kaylee Domzalski; Production Assistant: Brie Martin; Photo: Cameron Pollack/NPR